Death Valley - Phototrip

Death Valley National Park.

My Father, Jim and I hopped in the car and headed towards the mecca of photography in California, Death Valley.



Jim had just recently purchased a new Nikon D80, I had my D70 and the Dave Gatley had practically every professional camera Nikon makes, along with more gadgets and gizmos than circuit city; which to his credit are fantastically sweet.

We spontaneously decided a trip of epic photojournalistic proportions was long overdue, promptly jumped in the car and headed north east.


Desert Glass turned purple by decades of unrelenting sun, left behind by miners.

For those of you who haven't been, or have only driven through... Death Valley is quite an interesting place, aside from the photography. In the early 1900's it was a magnet for mining boom towns, which seemed to appear overnight in the middle of no where. Thousands of people would prode and poke the mountain sides hoping to strike it rich, however they ultimately found nothing but a godforsaken landscape and shattered dreams. Sucks for them, but it's pretty freaking sweet for us.

In their haste, they left behind them mountains of trash, debris, tools, women, children and apparently some mules. Which when mixed with 120+ degree weather, 300+ days of sunlight, and not much human life to speak of, makes for sweet photo fodder.


Some sort of buckety/kettley/boxey bin of rust and awesomness.

I found this admist a mass graveyard of tin cans, broken glass, rusted nails and other misc. ghost town remnants.


Death Valley Sand Dunes in the early morning sunlight.

When we weren't rumaging through ghost towns dump yards, we found ourselves scampering across the windswept sand dunes in the middle of the valley. Patted down from a rare but brief overnight soaking, the dunes were slightly frozen in their normally fluid state. Winds pick up across the valley with unbelievable strength and constantly reshape the surfaces of these dunes.


Devil's Cornfield - Death Valley
I guess those bushes look like corn....if you're blind, and I guess what with them being in death valley and all they are a little ominous, but "Devil's Cornfield"? Really? More like "Sandy McBushes Bushfield" if you ask me, but I'm no nameyologist.


Wild Burros - Rhyolite, Nevada
We chased down these poor asses like our dinner depended on it. Armed with telephotoish lenses and a yearning for some action shots, we geared up and chased the heard:


Dave and Jim plotting their attack.


While Dave and Jim attacked from above, I flanked the dumb-asses and almost caught them off gaurd, that was of course until my dad came storming up the mountain side in his black, tank like tahoe. Thanks Dad. =)


Jim at Ubehebe Crate - Death Valley, CA


Dave Gatley working his magic at Ubehebe Crater.


Black, volcanic rock around the base of Ubehebe Crater.


A little over-photoshopped image of some old mining ruins near Badwater Basin in the valley. The winds were blowing about 40+ mph while I shot this. Strong enough to send Jim chasing after his hat a good 100 yards.


Badwater - Death Valley
The recent rains left behind some water on the valley floor, I've never seen water here in all the time I've visited the park, a definite bonus.

-David

How to buy your first Digital SLR camera

So you're thinking about buying a Digital Single Lens Reflex Camera (DSLR). First off, good for you. You've finally joined the rest of us in the 21st century. I know how hard it was for you to let go of the vintage feel of watching your film develop in a dark room, but really, how much time do you have for that anymore? And, unless you're an over eager hobbiest, my guess is you don't have access to a dark room anyways. So DSLR it is. But now what? There are so many choices, and so many dollars to be spent, and potentially wasted on a camera far too advanced or far over priced for your photographic needs...Luck for you, you found my blog ;)
Summing it up
First off, you need to figure out what you are going to be taking pictures of. I like to break DSLR consumers into 3 categories. If all of the below fit, you are wise beyond your years. =)
1.) The Sporty Parent: Little Timmy and Sally are weekend warriors, and your life revolves around getting 300 pictures of their game winning goal, their home run swing, or just capturing the kids playing in the pool. You want photos of activities. You are generally on the sidelines observing and cheering on the situation. You want to show off your kids / friends in sports illustrated style action shots. Uses: Sports, Action, Telephoto lenses, shooting from greater distances.
2) The Quarter Life Artistic Crisis: On your road trip away from the daily grind, you find solace in the open road. The expansive skies. You find emotion in a sunset, or a dew encrusted flower. You love hiking, hugging trees, vibrant colors, and you want to capture these natural wonders with a camera capable of doing so. Uses: Landscapes, nature, sunsets, low light situations, tri-pods, wide angle lenses.
3) The Budding Wedding Photographer: You like people. You want to make people look good in your photos. You're tired of eyes half closed from blinking, washed out faces, red eyes, and tiny subjects. You aren't afraid to get close up and shove your camera into any moment. Uses: Portraits, Weddings, Parties, Indoor, People, Products, Tight shots with Flashes.
Of the three there are well suited options, which I will get to below. Of all three there are great versatile camera set ups that will allow for shooting in any situation.

Pricing It Out:
How much do you want to spend on this? DSLR camera bodies (without the lenses) range from $400 dollars to $2000. Lenses range from $200 to $10,000.
First, ask yourself if there is any way to make money from your shots. Are the hordes of soccer mom's willing to shell out some dough for their kids captured at their greatest. Are you thinking of doing some photo gigs on the side with your friends? If you camera, can in any way return some investment, spend as much as possible.
If you are doing this for personal endeavors, you want every dollar to count. This camera will last you for a while if you buy it right, and you should buy just the right product. Too little camera won't allow for any growth in the subject area, and too much camera might be wasted in areas you never utilize.
A incredibly good base model DSLR is the Nikon D40 (photo left). (about $600 w/ lens)
and or the Canon equivalent the 350D Digital Rebel (about $650 w/ lens)

See dpreview's review of the D40 here and the Canon Digital Rebel here. These cameras would be great for somebody who doesn't expect to grow much in the hobby, and wants a little more control over the photos than a typical point and shoot camera will provide. You will still find some shutter lag (time between clicking the shutter button and when the camera actually takes the picture) And you will find a limited selection of lenses for these models. Keep in mind for less the $200 more, you can get a substantially better camera.

A mid-ranged pro-sumer (not quite a pro, better than average consumer) model would be the Nikon D80 (about $900 w/ lens) and the Canon Digital Rebel Xti(about $800 w/ lens).

See the Nikon D80 dp review and theCanon Digital Rebel Xti review. Both of these cameras are great. Leaps and bounds better than the entry level models mentioned above. These two will give you everything you could ever need in a camera on a non-professional level. Although, even some professionals have been known to use these cameras. The lenses compatibility with these are far greater than the lower models, and even some of your old film SLR camera's lenses will work with either of these.
In case $900 is too much for this camera. See the Nikon D70. The model the D80 replaced. The price has plummeted on this model, and it is still, by all means, an incredible camera. One I have worked with for well over 2 years. For maybe about $700, you can score one of the D70s. See the D70 review.

There are higher model cameras available, the Nikon D1x and D2x, but well...if you're about to drop 2000 dollars on a new camera, you're one of two people who shouldn't be here. 1. A professional who is very bored. 2. Somebody with no experience, far too much money, and a learning curve ahead of them that would challenge even Ansel Adams.

Lenses:
The above prices and were quoted with the assumption that when you purchase the camera it will come with a standard DSLR lens. Generally something like a 18-70mm lens. What does that mean? 18-70mm is a fancy way of describing the effective depth of field your lens is capable of attaining.
18-77 mm lenses are good for landscape photography and subjects you can get up close to. If your subject is relatively still and within 10 feet, this is a great lens for all around shooting. This is the go to lens for most amature photographers. It is also good for relatively wide shots, of open landscapes or sunsets. Good for the quarter-life-artistic-crisis consumers. And the budding wedding photographer.
70-300mm lenses are good for sports photography that you can get within 100 ft of your subject. Say the sidelines of a little league game, or soccer. This won't get you close to pro sports athletes from the nosebleed seats, but if you're on the field with the players, this size lens will get you tight up shots of your subject. These can also work dramatically in portrait photography. Getting very tight on the face and blurring the background for a very professional look and feel.These lenses are great for the Sporty Parent and the budding wedding photographer.
300-700mm lenses are for subjects very far away. These are you standard telephoto lenses and can get extremely pricey.

The Megapixel Myth
No, more megapixels does not necessarily mean better photos. Basically what megapixels refer to is the amount of data that camera stores for each picture. Just because there is more of it doesn't make it better. A ton of poor data will still give you a poor picture. What really matters in digital cameras are the nitty gritty components of the camera that most people are unaware of. The digital processor for example, the light sensors, and the quality of the optics inside both the lens and the camera body all add up to the quality of the image. Megapixels are nothing more than "sponges" soaking up the information all those aforementioned parts put out.
So, it is possible for a 6 mp camera to take better photos than an 8 mp camera. Keep this in mind when looking at cameras. Megapixels is a catchy sales word that takes attention away from the more important pieces of the camera. David Pogue wrote a great article about this in lehman's terms at His article here

Accessories
Still with me? Bravo!
So, if you aren't overloaded enough by now, don't worry...it gets worse. Buying a DSLR requires a small amount of required accessories. The most important being the flash. If you want decent indoor pictures with no red eye, and dramatic lighting, this is the cheapest (relative term) and easiest way to do so. No I'm not talking about the built in flash, no DSLR on the market has a decent one. I am talk about this:

A giant, geeky, photographer must have, the speed light. If you buy nothing else make sure this is it. This model sells for something around $200 and is great.
Other accessories that are just as important:
The Tripod: Buy the heaviest, simplest tripod you can afford. The heavier the better, as light weight tripods tend to vibrate more to the camera and blur images. Try to look for tripods with quick release heads.
The Memory Card: The fastest card the best. I'm talking about the speed at which the card stores the image. You'll see this advertised on clearly on the front of the box. What this means is, if you are trying to snap rapid shots of someone running across a soccer field, if you card lags and takes a while to write the images, the camera will stop taking pictures and wait for it to catch up. Cameras will buffer this, and instead of being able to take 10 shots in 2 seconds, you might only get 6 or 7.
The Battery: Buy and extra battery and keep it charged. Nothing is worse than being in the middle of no where when your battery dies. Most of these cameras use rechargeable lithium-ion batteries, meaning you can't just pop in 8 AAA batteries and get back to work. You need to specific battery for your camera, and at least 2 of them. Especially if you're doing a lot of indoor flash photography.

Why Nikon? I chose to compare Nikon and Canon in this guide primarily because they are the industry leaders. My father, being a professional photographer (The LA Times, NY Times, Time Mag, etc.), only uses Nikon. Much of my life was paid for by that tool. So yes, I am somewhat biased. I own a couple Nikons myself. And while I've never used a canon, and don't have anything against them, I highly recommend Nikon. Nikon consistently produces better optics and sensors, and while canon seems to be turning this trend, Nikon will give you the best value for your dollar at the present time.

Obviously there's a lot to consider here. I barely glazed the surface. I hope it helps. If you have any further questions, please don't be afraid to contact me at www.davidhgatley.com.

-David